Facebook: Four faces
This is a large print, on roughly A1 paper. It is four versions of the self-portrait, as I did before, but I decided to try again and improve the quality of the chine colle finish by using a spray-on glue that could be used with water-based inks. As I said before, the water-based glues were just causing the tissue paper to disintegrate on contact. This is using a spray-on very strong bonding glue that I found in the hardware store- it’s not the mounting spray you get from art shops.
This is meant to be variations on a theme, using the primary colours of red, blue and green with white as a contrast. Each of the versions creates a different interplay between the colours, as well as the textures of the chine colleed print. I was thinking of Facebook, of the different personas people construct online, each of them more or less artificial, geared to an audience. None of these faces is “realistic”, but makes a statement and forces the eye to look and read the image in different ways. It was also a nice way to experiment with different ways of using chine colle all in one image.
This is red ink on white papier de soie. I like how the print definition is so clear using this paper, and also like the tight wrinkles created in the non-inked paper. This one is inked in red and wiped, obliterating some of the face. The observer will still be able to “fill in” the missing parts however, so the effect is perhaps of a casual attitude or conscious mystery-making.
Below it is a jarring colour combination which confuses the eye due to the red and the blue being the same tones but contrasting in hue. (The photo is making the red look darker than it really is.) This is red ink on blue papier de soie, so again there are small wrinkles that compete with the fine lines in the inked colour. As mentioned before, the design of this print, portraying my own bleached white hair, confuses one about the positives and negatives already, so here, the eye is not sure what to bring forward and what to send back. This gives out a bold, even aggressive image.
This one is printed on coloured tracing paper, so is rigid and has no creases. On the other hand, it plays with the eye because of the contrasts of the primary colours, and then has some movement created by the rainbow rolling of the blue and green colours. This has the effect of “changing” the colour of the red background as the eye moves over it, and the result is a very rich glowing colour that seems to have depth and fire to it.
This one is contrastingly cool. It is the most complex image, one that should have most depth as it has two paper layers. The first is white ink over blue tissue paper, then rainbow rolled white/ pale blue on grey tracing paper. The effect is a bit like an iced pond, as the eye can see down through it to the darker blue below.
The effect of the whole is a bit unsettling, I have to say!