Print 4: Bucharest

A little detour to Bucharest and Print 4 in the series

As with life, my printing blog is going to take a detour. For a reason, as it has made me change my mind again about my final choice of prints. Bucharest- I visited the city at the end of a hiking trip to Transylvania. It was a city picking up pieces, both from a catastrophic earthquake back in the 1970s which leveled large parts of it, and from the despotic Ceausescu’s era which seems to have turned into two worlds. It’s now a free market, but not as developed as other European cities. It has traces of its past, cracks and fissures where it shows through, but it is also realigning itself with its past, as some of its dispossessed nobility creeps back and reclaims old properties, and its various cultural influences acknowledged and celebrated. It is, as many of us have to do, reinventing itself.

I wondered if Kitty Cougar could also be reinvented as a representation of the city. Relief prints are wonderfully versatile, as I have discovered. It’s not just that you can change the colour scheme to match your décor, but you can alter the mood and the message by varying colours, papers, techniques, even the order of laying down the blocks.

Cities are often personified, like ships and cars, as females. This was certainly the case in Bucharest, where I came across several uses of the “she” pronoun in reference to it. Things which caught my eye were walls, with peeling paint, posters overlaying each other, signs and graffiti.

I particularly liked this wall, up by the university, which is a tableau making various political points about the environment (the fact that Bucharest has less green space per head of population than other European cities), but which has been overlaid with points about the President (who is accused of having cheated in gaining his PhD), and racist messages relating to the Klu Klux Klan, with other tags and remarks appearing, so that it becomes an ever renewing tableau.

Alongside this was the intriguing sign offering “Non-stop funeral services”. The phrase “non-stop” appeared a lot, often in relation to very frequent signs offering “massages”. One of the graffiti slogans I saw quite often was “Verde ca primavara”- green like the spring. It immediately makes me think of Botticelli’s Primavera, and it felt appropriate to reference this, as if the city itself was in a springtime mode, trying to regrow from the cracks of a ruined past.

So, this print is an attempt to personify Bucharest as Primavera, as portrayed by Kitty Cougar… It is printed in spring-like colours, pink, fresh yellow green and pale yellow. The background was printed to look pale and distressed- achieved by making a second print from the lino. (I tried wiping and rolling patchy colours, but preferred this as it was less distracting.)

Wiping/ rolling effects- distracting

 

First layer- thick ink/ textured surface. The final print was taken from the textured surface of the lino after this first print had been made.

 

The image of Kitty Cougar is also meant to be worn and pale- like faded paint on a wall. Again, the flesh tones were done as a second inking from another print, so it had picked up specks of pink. The bikini and gloves were monoprinted- painted with a brush onto the lino, then printed, again, to achieve a distressed effect. Rather than add more ink as I did with the Belle du Jour print to add definition, I experimented with taking some off, using a wet brush to wipe the top layers down to the inked surface beneath. This creates a three-dimensional effect, and also thins the colour.

On the walls, I wanted graffiti, specifically the slogan “Verde ca Primavara”. I used a photo of this and tried to copy the handwriting style. Placing it on the background was done using masks over the image of the figure, and inked tracing paper. I used a blunt pastel mixing tool to get the spray paint effect. The poster behind the figure’s shoulder is referencing the more sordid side of things, and the Ottoman past, with the “exotic massage relaxing oriental” advertisement. This is done with Chine Colle. A piece of tissue paper was cut to fit, then the writing done in reverse on a piece of glass. Water-based ink then blurred this to make it less spelled out.

So, this is Print 4 in the series. Bucharest. I’m not sure what my new Romanian friends will make of it… I hope it’s realistically positive.

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