Prints on a Theme: Combination Lino- and Mono-prints- Backdrawing: Belle du Jour

Prints on a Theme: Combination Lino- and Mono-prints- Backdrawing.

Kitty Cougar becomes Belle du Jour

Belle du Jour is the development of one of the earlier Kitty Cougar Prints.

I decided when I came back from Bucharest and reviewed the pictures, to combine the linoprints with monoprinted (backdrawn ) outlines to add more definition to them. I had had to concede that I didn’t have the equipment or the skills to produce the kind of shiny prints that I had wanted, and so the relief outlines just weren’t there, and something else was needed. I had been sketching with graphite sticks during my holiday, and liked the lines and shadows they made. So I chose a steely blue grey mixture for the lines, and used drawing tools with different degrees of sharpness.

This is one of my favourites. It’s on tissue paper and the colours are rich and shiny; the addition of the backdrawing creates an etched effect.

This one is only backdrawn once, pressing lightly for a more delicate outline and cleaner look.

Here, the texture of the original print has created quite different effects and it seems to have movement.   The backdrawing looks like charcoal.

Here, on what had been a very bland print on cartridge paper, the backdrawing and finger-pressing has given a very grainy, smudged image with a much more three-dimensional effect.

I like a lot of these. But I finally went with the newspaper printed one to develop.

I first used an H-pencil to make outlines, sketchy lines, backdrawing on the dark grey ink. Later, having been pleased with the shadows made by being heavier handed with the ink on images, I made shadows using by fingers, this time on a lighter blue mixture. I like how these smudgy effects create some unity with the newsprint underneath, while the lines stand out over the type.

To summarise,  Belle du Jour is glossy, printed on a double page of The London Review of Books which is then inked over in white. Not the Daily Mirror. Too trashy! I’ll be honest, I originally printed it on newspaper because I was short of anything else big enough, but it was the one I liked best, and which set me thinking about a richer, more layered set of references to everyday objects and street art. It’s not exactly aligned with the newspaper type, which was another accident, but one which fits. The ink is thick and shiny, and the paper is shiny, and it has, appropriately, a centrefold. It’s a seductive pose, and the colours are garish, with gold leaf suggesting an icon. She is faceless, only her body is thrust forward. The picture is loud and larger than the others I’ve done, and has monoprinted outlines giving the otherwise flat shapes some depth. She’s on offer. I want to suggest an upper-class tart, hence the title, Belle du Jour, from the book by an academic who leads a double life as a call-girl. The rattiness of the paper, its folds, the peeling gold leaf also suggests it’s been used: I wanted to get an effect like a tattered street poster, but in a good neighbourhood. The monoprinted script on the side is handwritten in style, like graffiti or a marker pen, and might have given a phone number … or a review.

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