Recap and looking forward

So, I think that’s about it for this course. I’ve enjoyed it a lot and now would like to try out other printmaking methods which use line- I’ll take a short course in intaglio this summer, and would like to go on to the second level course. I see it offering lots of ways of developing drawings. I really like lino- and wood-cutting, and have come to know and think a lot more about printing surfaces, the effects of different papers. I was a little less keen on monoprinting on its own, and with collographs  (I did feel very enthusiastic at first about the idea of knitting prints, but it fell flat when I didn’t get much feedback on that, so I reckoned it wasn’t really a way to go )- I think that was because both were less than satisfactory without a press. I’m also a lot more knowledgeable now about materials, and how they are affected by external factors such as temperature and humidity. I’ve been struggling getting supplies from the start, and in fact, only now, when I’ve got to the end, do I feel that I have everything I need. My other challenge of course is having everything I need in one place! I won’t manage it all in the case to go back to Hong Kong next week. But now, I have more idea how to improvise, how to redo things, how to solve problems. It’s the nature of a level one course for a complete beginner that up until the end, you’re operating with a partial view.

Now, I have a pile of sketches for a version of a religious icon- I was inspired by the handpainted folk art images on glass in the Museum of the Romanian Peasant. These will link back nicely to my earlier crucifixion pictures, and give me a great excuse to apply more gold leaf…


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